380 €
Estimated vinyl value [2026 Valuation]
Technical Identification Sheet
| RELEASE NUMBER (Discogs ID) | 578716 |
| Excel File Row | 333 |
| Date Added to Archive | 27/09/2026, 14:10:21 |
| Pressing Year | 1965 |
| Pressing Type (Press) | 1ST |
| Country of Pressing | UK |
| Record Label | CBS |
| Stereo / Mono | STEREO |
| Catalogue Number | SBPG 62515 |
| Barcode | N/A |
| Matrix / Runout Side A | SBPG 62515 A (".i. simbolo su side 1&2= stabilimento CBS Pressing Plant, Aston Clinton UK dal '64") |
| Matrix / Runout Side B | SBPG 62515 B E10 |
| Sleeve Condition | NM |
| Media Condition | M |
| Inner Sleeve Condition | M |
| Genre | Folk, World, & Country |
| External Link | View Original Release ↗ |
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Story & Background
For us collectors, the cover of *Bringing It All Back Home*, especially in this first pressing from 1965, is a true sanctuary of details that frame Dylan's crucial electric transition. A detail often overlooked, but incredibly revealing for the era, is the presence of *The Fugs*' debut album on the coffee table behind Bob. This reference is by no means accidental: *The Fugs First Album*, also released in 1965, represented the most radical, provocative, satirical, and openly controversial fringe of the nascent New York underground scene. Their lyrics were often explicit and irreverent, true manifestos of an anti-culture. Including it in the cover photo, shot by Daniel Kramer at Albert Grossman's villa in Woodstock, was a subtle but potent declaration of artistic intent. It suggested a deep affinity with the cultural avant-garde and a deliberate, almost provocative, break with the established conventions of purist folk. It was a true visual omen, prophetically anticipating the storm and the heated discussions that Dylan would soon unleash with his historic and unstoppable sonic shift. An artistic earthquake destined to change the musical landscape forever.