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minacantalucio

Mina

115 €
Estimated vinyl value [2026 Valuation]
Technical Identification Sheet
RELEASE NUMBER (Discogs ID)3317430
Excel File Row416
Date Added to Archive27/09/2026, 14:15:27
Pressing Year1975
Pressing Type (Press)1ST
Country of PressingItaly
Record LabelPDU
Stereo / MonoSTEREO
Catalogue NumberPld. L. 6036
BarcodeN/A
Matrix / Runout Side AP - 025487 - 9-10-75 1 ⌂
("inner sleeve beige 2 cornici gold""(Boxed): S.I.A.E.")
Matrix / Runout Side BP - 025488 - 9-10-75 1 ⌂
Sleeve ConditionNM
Media ConditionNM
Inner Sleeve ConditionEX+
GenrePop
External LinkView Original Release ↗
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Story & Background
"minacantalucio" is not a simple tribute, but a fundamental chapter in the artistic dialogue between two giants of Italian music. The most fascinating curiosity concerns the relationship between Mina and Lucio Battisti: although Battisti had already written masterpieces for Mina, this 1975 album represented a kind of artistic "restitution". Mina did not merely sing his songs, but reinvented them, imbuing her unmistakable vocal and interpretative power into already iconic melodies. It is said that Battisti himself was astonished and delighted by how Mina managed to shape his songs, almost "discovering" new emotional or rhythmic nuances that he himself had not fully perceived. This '75 edition, as a first pressing, captures the essence of an unrepeatable era, a moment when Mina's interpretation further elevated Battisti's songbook, making songs like "Il mio canto libero" or "E penso a te" eternal with a totally new and profoundly her own imprint, cementing a friendship and professional esteem that transcended simple collaboration, transforming it into a true mutual celebration of talent.

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Official Tracklist
  • A1 - I Giardini Di Marzo (6:04)
  • A2 - Il Nostro Caro Angelo (4:08)
  • A3 - Dieci Ragazzi (2:36)
  • A4 - Innocenti Evasioni (3:24)
  • A5 - 7 E 40 (3:35)
  • B1 - Emozioni (4:35)
  • B2 - Fiori Rosa, Fiori Di Pesco (3:04)
  • B3 - 29 Settembre (3:34)
  • B4 - L'Aquila (4:30)
  • B5 - Non È Francesca (3:34)
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