350 €
Estimated vinyl value [2026 Valuation]
Technical Identification Sheet
| RELEASE NUMBER (Discogs ID) | 1327125 |
| Excel File Row | 42 |
| Date Added to Archive | 27/09/2026, 12:49:56 |
| Pressing Year | 1967 |
| Pressing Type (Press) | 1ST |
| Country of Pressing | Italy |
| Record Label | Columbia |
| Stereo / Mono | MONO |
| Catalogue Number | CPSQ 530 |
| Barcode | N/A |
| Matrix / Runout Side A | XBX-671-22-3-67 |
| Matrix / Runout Side B | XBX-672-22-3-67 |
| Sleeve Condition | EX+ |
| Media Condition | EX+ |
| Inner Sleeve Condition | EX |
| Genre | Pop |
| External Link | View Original Release ↗ |
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Story & Background
"Per quando noi non ci saremo", I Nomadi's debut album from 1967, is an authentic milestone of Italian beat music, but its history is inextricably linked to the controversy that surrounded one of its most iconic tracks. We are talking about "Dio è morto (se Dio muore, è per tre giorni poi risorge)", penned by a young Francesco Guccini. Although the lyrics were a profound reflection on the loss of values in contemporary society and not an atheist statement, Rai initially decreed its veto. The censorship, however, had the opposite effect: the song became a generational anthem, clandestinely disseminated and loved by the public. Only thanks to the clarifying intervention of an influential Monsignor, who recognised its spiritual message against the idolatry of consumerism, was the track finally rehabilitated. This affair not only projected I Nomadi into the national spotlight, but consecrated them as a band capable of blending pop sounds with lyrical content of rare depth and audacity. Its inclusion in this "prima stampa" vinyl was not a mere filler, but rather a programmatic manifesto. A powerful testament to their artistic vision, making this record a fundamental piece for every collector attentive to the history of Italian musical customs.